Caoimhghin Ó Croidheáin
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Victoria, Poldark, and Brexit Cultural Nationalism
Victoria, Poldark, and Brexit cultural nationalism
February 6th, 2025 by Caoimhghin Ó Croidheáin
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The Decline of Summer Festivals
How the Nuclear Family, Globalisation of Food Production, and International Trade and Travel has changed our relationship with Nature
September 7th, 2024 by Caoimhghin Ó Croidheáin
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Becoming the Backdrop: Hollywood and the Perils of Colonial Attention
Review of Killers of the Flower Moon (2023)
July 13th, 2024 by Caoimhghin Ó Croidheáin
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Authoritarian Ireland and the Secular Apocalypse
Book Review of Prophet Song by Paul Lynch
May 3rd, 2024 by Caoimhghin Ó Croidheáin
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Spring Traditions and Celebrations: The Past, The Present and the Future of Farming
April 1st, 2024 by Caoimhghin Ó Croidheáin
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Power Ballads: Don’t catch you slippin’ up!
February 26th, 2024 by Caoimhghin Ó Croidheáin
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Sacred Tree or Paradise Tree? The Christmas Tree and Nature
December 25th, 2023 by Caoimhghin Ó Croidheáin
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The Dublin Riots: The Aftermath
November 29th, 2023 by Caoimhghin Ó Croidheáin
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Art and Struggle: Olive Trees as Symbols of Palestinian Culture, Food, and Heritage
November 22nd, 2023 by Caoimhghin Ó Croidheáin
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The Afterlife: A Trick or a Treat?
Halloween Celebrations Past and Present
October 28th, 2023 by Caoimhghin Ó Croidheáin
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Captain Rock: The Symbol of a Risen People
October 11th, 2023 by Caoimhghin Ó Croidheáin
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Warriors and Domestics: Plotting a New Course in Cinema
August 17th, 2023 by Caoimhghin Ó Croidheáin
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The Counter-Enlightenment: the origin of conservative politics?
July 12th, 2023 by Caoimhghin Ó Croidheáin
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Learning to Speak One-Percent
The Art of Deception
April 23rd, 2023 by Caoimhghin Ó Croidheáin
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Changing Society: Nature, Life, and Resistance in Culture Today
Extraordinary Attorney Woo (2022) and White Tiger (2021) (Spoiler alert)
April 15th, 2023 by Caoimhghin Ó Croidheáin
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Every St Patrick’s Day, Everywhere, All at Once
A Disaster for Ireland
March 17th, 2023 by Caoimhghin Ó Croidheáin
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Dubai Superlatives: The Power of Excessive Wealth
March 10th, 2023 by Caoimhghin Ó Croidheáin
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The Banshees of Inisherin (2022): A Parable of Irrationalism
March 2nd, 2023 by Caoimhghin Ó Croidheáin
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Living and Learning Against the Odds
Samira’s Dream (Ndoto Ya Samira) (2022)
February 25th, 2023 by Caoimhghin Ó Croidheáin
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Romantic Heroes: Ameliorating the Dark Side of Capitalism
November 1st, 2022 by Caoimhghin Ó Croidheáin
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The Radical Enlightenment: The Role of Science in the Battle Between Christianity and Pantheism
September 28th, 2022 by Caoimhghin Ó Croidheáin
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Woodstock ’99: Feeling the Heat
August 29th, 2022 by Caoimhghin Ó Croidheáin
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America’s 1940s Pro-Soviet films: Social Realist Cinema in the USA
July 26th, 2022 by Caoimhghin Ó Croidheáin
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The Bellyfeel of Paradise: Inside the Media Dome
April 21st, 2022 by Caoimhghin Ó Croidheáin
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Not so Black and White: Belfast in the 1960s
Review of Kenneth Brannagh's film Belfast (2021)
April 5th, 2022 by Caoimhghin Ó Croidheáin
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The Re-Humanisation of Culture: Dickens and the Social Realist Cinema of the 1930s and 1940s
February 9th, 2022 by Caoimhghin Ó Croidheáin
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Violence and the State
Examining Two Recent Irish Films: Arracht (2019) and Herself (2020)
December 23rd, 2021 by Caoimhghin Ó Croidheáin
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No Time To Think: The Changing Geopolitics of International Blockbusters?
Review of James Bond No Time To Die film
October 27th, 2021 by Caoimhghin Ó Croidheáin
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Awakening: Martin Luther King and the Poor People’s Campaign
October 8th, 2021 by Caoimhghin Ó Croidheáin
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The Great Fear: The Accelerating Apocalypse
Review of the film Greenland (2020)
August 24th, 2021 by Caoimhghin Ó Croidheáin
