The Need for a Compelling Anti-Capitalist Narrative

There’s a scene in George Orwell’s Homage to Catalonia where he describes how the communists propagandized the fascists during the Spanish Civil War in the 1930s. Orwell was with a scruffy, makeshift band of fighters high in the Spanish Alps. Both the communists and fascists were dug into their trenches and a general stalemate had ensued. During the frigid mountain days, certain soldiers were tasked with communicating to the enemy. They would first position themselves in a safe place. Then using a megaphone would recite a prefabricated monologue about how the fascist soldiers were little more than pawns in the service of elite capital interests. They were the disposable implements of war, easily discarded once used. Orwell wrote that nearly everyone on the communist side assumed the efficacy of these communiques. The conscripted fascist, often a teenager and drafted against his will for a fight he had little knowledge of or interest in, would be sunk within a muddy trench, hungry, thirsty, tormented by the alpine freeze of high altitudes. How could the socialist message not appeal to him? Of particular value, Orwell noted, were the segments of the script that announced to the disgruntled fascists that the communist speaker was, at that very moment, consuming a delicious piece of warm, buttered toast. An absurd thing to say, and perhaps the brooding fascist understood how unlikely it was to be true, but the mere image of it, a slightly burnt half of toast slathered in golden melting butter, was enough to destabilize even the most stout-hearted soldier.

The Language of Transformation

The point being, to win “the fight for the minds of men,” as America’s great war propagandist George Creel put it, one must conjure charismatic images, weave imagistic tales, and produce a historical narrative that resonates with and unifies a vast disenfranchised public. Creel served under the Wilson administration and helped turn a pacifist citizenry into a bristling public angry at the fearsome “Hun” it had never actually encountered (not unlike the roving, rape-obsessed immigrants that hysterical Republicans have never encountered, even as they obsessively grease their rifles).

Despite the obvious need for compelling stories, how often do we read interviews or articles with committed leftists or socialists, even the venerable Noam Chomsky, for instance, reminding us in the driest of terms that voting is a mere five-second act that should be given no more attention than a quick, lesser-evil calculation before stepping into the voting booth. Rather, as various authors remind us, like humorless fathers admonishing a frivolous child, that only the hard, laborious, and thankless work of community organizing, conducted tirelessly between elections, will lead to real and lasting change. True as it may be, it is, as framed and presented, a cheerless and dispiriting prospect, a maxim that literally no one wants to hear or is wont to repeat.

What this deadpan delivery misses is how voting is the one event that truly captures the imagination of the public. It is the collective ritual that confirms for many Americans that we are privileged members of a rich and enlightened western democracy. That, despite our problems, we are yet at the forefront of history, participating in the march of human progress with a faith and purpose rivaled on by the Athenian demos and the arbiters of the Magna Carta. It forgets that for many it is a hallowed booth into which we step, where one’s choice is cloaked behind a dark curtain like some kind of secular confessional, and after making their confession, the cleansed citizenry wear bright stickers proclaiming to all and sundry that they did their civic duty.

Voting, perhaps, is the one communal political act which our atomized capitalist society permits us. It rests alongside holiday consumption sprees and sporting rituals as self-defining markers in the firmament of our national consciousness. It may be myth but it is an animating myth of our society. As such, it shouldn’t be discarded with such facile contempt. Rather, it ought to be mined for pointers on how to model a socialist myth that can be evangelized to a public in desperate need of new answers.

Story and Symbol

In Geoffrey Miller’s evolutionary psychology tour de force, The Mating Mind, in which he explores the idea that art and language evolved under sexual selection pressures (rather than by pressures of natural selection), he writes the following:

Imagine some young hominids huddling around a Pleistocene campfire, enjoying their newly evolved language ability. Two males get into an argument about the nature of the world, and start holding forth, displaying their ideologies.

The hominid named Carl proposes: “We are mortal, fallible primates who survive on this fickle savanna only because we cluster in these jealousy-ridden groups. Everywhere we have ever traveled is just a tiny, random corner of a vast continent on an unimaginably huge sphere spinning in a vacuum. There sphere has traveled billions and billions of times around a flaming ball of gas, which will eventually blow up to incinerate our empty, fossilized skulls. I have discovered several compelling lines of evidence in support of these hypotheses…”

The hominid named Candide interrupts: “No, I believe we are immortal spirits gifted with these beautiful bodies because the great god Wug chose us as his favorite creatures. Wug blessed us with this fertile paradise that provides just enough challenges to keep things interesting. Behind the moon, mystic nightingales sing our praises, some of us more than others. Above the azure dome of the sky the smiling sun warms our hearts. After we grow old and enjoy the babbling of our grandchildren, Wug will lift us from these bodies to join our friends to eat roasted gazelle and dance eternally. I think these things because Wug picked me to receive this special wisdom in a dream last night.”

Which ideology do you suppose would prove more sexually attractive? Will Carl’s truth-seeking genes–which may discover some rather ugly truths–out-compete Candide’s wonderful-story genes? The evidence of human history suggests that our ancestors were more like Candide than Carl. Most modern humans are naturally Candides. It usually takes years of watching BBC or PBS science documentaries to become as objective as Carl.

If this is so, is the left guilty of transforming itself into a brooding Carl, arms overflowing with manifestos and tomes, arguing apocalypse to a weary electorate that just wants some good news? Or, at the very least, a piece of escapism, an entertaining tale that removes them from their chronic worries for a couple of hours? Recently, teacher Bruce Lerro illustrated some of the themes he emphasizes in a class he teaches, “Brainwashing Propaganda and Rhetoric: Dark Psychology in the 20th Century”. The gist of his two-part series is that socialism has yet to grasp the theatrical side of human nature that is a requisite of movement building. He points to religion, nationalism, and sports as three fields which have successfully leveraged the tribal, ethnocentric, and ritualistic tendencies within human nature to promote their particular interests.

We know Hollywood and the defense industry often collaborate on films that reify the tropes of patriotic Americanism for each passing generation. We know from marketing that advertising that creates dramatic tension and that draws from the story arcs of conventional dramatic theory improve attention and likability. Metaphors are triggering devices for the senses, hence the durable appeal of the ‘shining city on a hill’ and the visual tropes of the American Dream.

The figure of the charismatic leader has lately done a number on the American imagination. If we are so addicted to facts, as the interminable and farcical Russiagate campaign has so many of us believing, then why is Barack Obama still revered as a peace candidate? A man who as Commander in Chief dropped 26,000 bombs in a single calendar year. Who bombed the Middle East for eight years with the implacable consistency of a religious rite. Who was at war in some fashion or another his entire presidency. Yet Obama was just last month handed the RFK Human Rights Ripple of Hope Award. The organization tweeted an image of the former president in a popular pose: impeccably dressed in an expensive suit of muted azure thread, his face is a portrait of composure and gentle optimism, as his eyes gaze placidly at some unnamable dream far and high and away from where he–and we–are. The gap between the man and the myth is abyssal. Yet one can recall the masterfully rendered illustrations of the young Obama gazing determinedly into the near distance, above bolded letterings of “HOPE” and “CHANGE”, and the flowing waves of the campaign logo.

The Need for a New Myth

All this to say that without a more stirring socialist vision, imbued with the symbols and ritual that instantiate human myth, we will continue to find our attempts to inspire revolution co-opted by monopoly capital, which tend to better stories than the left does. As Henry Giroux points out, “…the lack of mass resistance to [neoliberal] oppression signals more than apathy or indifference, it also suggests that we don’t have an informed and energizing vision of the world for which we want to struggle.” Are we fighting for socialism or against neoliberalism? Are we battling neoliberalism or capitalism itself? Are we after a New Deal or a new society? Is the enemy neoconservatism or the white supremacist? Are we fighting racism, sexism, imperialism, neoliberalism, or all of the above?

This messaging mayhem is not an issue for the establishment. Rather than issuing harsh systemic critiques, the establishment paints pictures. For liberal audiences, Democrats fulminate about Donald Trump as the living manifestation of evil and traffic in the language of tyranny and resistance. For white supremacists, Republicans rouse racist enmities with images of impoverished refugees moving steadily toward our borders, which take on a monstrous character in the minds of MAGA minions. For uncompromising patriots, the armed forces air commercials of heroic young men jumping from helicopters and landing crafts and running across smoke-filled landscapes “toward the sound of chaos.” For bootstrap conservatives, there are Reagan’s welfare queens arriving at the unemployment office in waxed Cadillacs. For humanitarian interventionists, there is Colin Powell’s imagery of a team of mad scientists zigzagging Mesopotamia in mobile weapons labs, or Tony Blair brandishing a dossier warning that a nuclear-tipped WMD could hit central London in just 45 minutes.

In a mediascape littered with symbols, calls for the head of corporate capitalism on a gilded platter are thus swept aside by an interdependent duopoly that thrives on facilitating corporate exploitation with one hand and teasing the inexhaustible well of mass credulity with the other. Belief is the dodgy virtue that venal duopolists deploy the most. Each election cycle is an exercise in peddling hope and fear in alternating cycles, like a trafficker controlling his prisoners by a devious alternation of drug and deprivation. The left has done well illustrating the monstrosities of corporate capital, and the need to colorfully adumbrate the crimes of the ruling class will always be crucial. But so too is the need to craft more compelling stories of a world without war and a land where health and education and work are rites of passage rather than a lifelong ordeal. Can the traditional bearers of bad tidings shape an electrifying vision of a socialist society? A companion narrative that finally replaces the extant portrait of collectivism as a bloodbath of mayhem and menace? The left’s chances for mass appeal likely depend on it. Even the Bolsheviks, who were scathing critics of socialist opportunism, let alone capitalists, headlined their 1917 revolution with the triple promise of, “Peace! Land! Bread!” The workers and the peasants knew exactly what they were fighting for.

Jason Hirthler is a writer, political commentator, and veteran of the communications industry. He has written for many political communities. He is the recent author of Imperial Fictions, a collection of essays from between 2015-2017. He lives in New York City and can be reached at jasonhirthler@gmail.com. Read other articles by Jason.