“Dos” and “Don’ts”: Things I Learned Writing about the Middle East

Writing and reporting about the Middle East is not an easy task, especially during these years of turmoil and upheaval. Following and reporting on these constant changes without a deep and compassionate understanding of the region will achieve little but predictable and lackluster content that offers nothing original, but recycled old ideas and stereotypes.

From my humble experience in the region, I share these “dos” and “don’ts” as to how the Middle East should be approached in writing and reporting.

Question Terminology

To start with, the term “Middle East” is itself highly questionable. It is arbitrary, and can only be understood within proximity to some other entity, Europe, whose colonial endeavors imposed such classifications on the rest of the word.

To question the term “Middle East” is to become conscious of the colonial history, and the enduringly fierce economic and political competition which is felt in every facet of life in the region. Keep this in mind and learn to question many other terms: extremist, radical, moderate, terrorist, pro-western, liberal, socialist, Islamist, Islamic, anti-Islamist, secularist, and so on. These are mostly misleading labels. They might not mean at all what you think they do. Their use is often political as opposed to direct reference to an ideological or political position.

Learn the Language

If your reporting is intrinsically linked to the Middle East, then you must learn a language. If you are not an Arabic-speaking journalist, you must invest the time to learn Arabic (or Farsi, Turkish, etc, depending on the specific region of your interest). Even a local companion would hardly help bridge the language divide, for s/he is likely to have their own biases and limitations. Moreover, much is often omitted and lost in translation.

Speaking the native language will gain you more than access, but trust as well, and help you develop real compassion with people who are in greater need to be heard.

Start at the Bottom

Arundhati Roy is quoted as saying: “There’s really no such thing as the ‘voiceless’. There are only the deliberately silenced, or the preferably unheard.”

Every Middle Eastern country has its educated elites. They are often approached by the media out of convenience. They often speak one foreign language or another; they know what a sound bite is, they don’t require much training; and they are always ready with their talking points. Although they may be the ideal media guest, they may be the least qualified to comment on a story.

Your best bet as a reporter is to start from the bottom, the people who are mostly affected by whatever story you are reporting: the victims, their families, eyewitnesses, and the community as a whole. While such voices are often neglected or used as content fillers, they should become the center of any serious reporting from the region, especially in areas that are torn by war and conflict.

Side with the Victim, but be Careful

True, there might be more than one side to the same story, but that should not be the driving force of your reporting.

Start by being aware of your limitations to report on a story without feeling sympathy towards people who are the subject of your report: a Syrian mother separated from her children, a Gaza father, who lost his wife and five kids to Israeli bombs, an Egyptian democracy activist on a prolonged hunger strike, and so on.

One of the greatest flaws in how the Syria war is reported is the simplistic and polarizing approach and terminology. Most media weep for the Syrian people, but the victim and victimizer differs when seen from the perspective of Al Jazeera vs. Al Mayadeen, to Press TV, to Russia Today, to Fox News, to the BBC. Manipulating who qualifies to be a victim is a highly political question with far-reaching consequences.

Learn History

Consider this, a once fringe group like the Houthis of Yemen is becoming the kingmaker of a country, whose central government is by name only, and whose military is divided between sectarian, regional, and tribal allegiances. How is one to report on this fairly new phenomenon without developing a solid understanding of Yemeni history and historical divides, regional and international politics that have greatly disturbed any sense of normalcy in that Arab country for decades?

History is essential to understanding any conflict in the region, because every single conflict has its own protracted history. Understanding this history is essential to fathoming the complexity of the present.

Raise Questions

Don’t be afraid to raise questions and provide context that you, and, at times, only you believe is essential to the story.

The so-called Islamic State (IS) is a relevant example. Virtually unknown few years ago, IS is now supposedly the greatest danger facing the Middle East, as its oddly composed, but well-armed battalions are moving in multiple directions, leaving in their wake gory stories of death and destruction. But how is one to position a story of this magnitude? What would be a proper context?

Remember, no such major upheavals happen in a vacuum. Dare to question the motives in the selective reporting of others.

Avoid Subjective Language

Don’t use the words “terrorist” and “terrorism” unless in proper context. You are not the judge of who is and who is not a terrorist, a term that doesn’t reference a fact but a political perspective. There are many such terminology which are pitfalls that could compromise the credibility of your reporting.

Don’t Be a Tourist

Reporting, especially from conflict zone is a huge responsibility. Sometimes, misleading reporting can cost lives. Avoid the passer-by casual reporting, as in a young New Zealander hopping from Yemen, to Bahrain, to Egypt, to Tunisia in two weeks, producing a whole number of articles for whatever outlet willing to publish, but without scratching the surface of a story. Five days in Sana’a and a week in Bahrain, doesn’t make you an international reporter, doesn’t give your insight much merit and, frankly does a disservice to the profession. You cannot possibly inform others of what you hardly comprehend.

Don’t Get Too involved

The opposite of the hopping reporter is the “expert” journalist, westerners and others who spend many years reporting from a single country. They can be enormously helpful in conveying a truly authentic story, with consistency over time. The pitfall however is that some get too involved, thus taking sides and falling into the trap of the divided politics of the areas from which they report. Lebanon is rife with such examples. Also, Kurdistan in northern Iraq, for it was accessible to western journalists for many years. Thanks to them, much of the Iraq story in skewed and one-sided.

Don’t Generalize

When your interest in the Middle East is centered on a single topic, for example, the Arab Spring, you are deemed to oversimplify and generalize. You are compelled to look for common dominators between “Arab Spring countries”, while willfully dismissing all else.

Avoid generalizations to a fault. It will require more research on your part, but that is what sets a serious reporter from others.

And finally, always remember, writing and reporting are a learned process, and there is always something new for all of us to learn. So remain humble, and always welcome the opportunity to learn new things.

Ramzy Baroud is a journalist and the editor of The Palestine Chronicle. He is the author of five books. His latest is These Chains Will Be Broken: Palestinian Stories of Struggle and Defiance in Israeli Prisons (Clarity Press). Baroud is a Non-resident Senior Research Fellow at the Center for Islam and Global Affairs, Istanbul Zaim University (IZU). Read other articles by Ramzy, or visit Ramzy's website.