Caoimhghin Ó Croidheáin
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The Dublin Riots: The Aftermath
November 29th, 2023 by Caoimhghin Ó Croidheáin
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Art and Struggle: Olive Trees as Symbols of Palestinian Culture, Food, and Heritage
November 22nd, 2023 by Caoimhghin Ó Croidheáin
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The Afterlife: A Trick or a Treat?
Halloween Celebrations Past and Present
October 28th, 2023 by Caoimhghin Ó Croidheáin
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Captain Rock: The Symbol of a Risen People
October 11th, 2023 by Caoimhghin Ó Croidheáin
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Warriors and Domestics: Plotting a New Course in Cinema
August 17th, 2023 by Caoimhghin Ó Croidheáin
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The Counter-Enlightenment: the origin of conservative politics?
July 12th, 2023 by Caoimhghin Ó Croidheáin
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Learning to Speak One-Percent
The Art of Deception
April 23rd, 2023 by Caoimhghin Ó Croidheáin
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Changing Society: Nature, Life, and Resistance in Culture Today
Extraordinary Attorney Woo (2022) and White Tiger (2021) (Spoiler alert)
April 15th, 2023 by Caoimhghin Ó Croidheáin
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Every St Patrick’s Day, Everywhere, All at Once
A Disaster for Ireland
March 17th, 2023 by Caoimhghin Ó Croidheáin
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Dubai Superlatives: The Power of Excessive Wealth
March 10th, 2023 by Caoimhghin Ó Croidheáin
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The Banshees of Inisherin (2022): A Parable of Irrationalism
March 2nd, 2023 by Caoimhghin Ó Croidheáin
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Living and Learning Against the Odds
Samira’s Dream (Ndoto Ya Samira) (2022)
February 25th, 2023 by Caoimhghin Ó Croidheáin
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Romantic Heroes: Ameliorating the Dark Side of Capitalism
November 1st, 2022 by Caoimhghin Ó Croidheáin
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The Radical Enlightenment: The Role of Science in the Battle Between Christianity and Pantheism
September 28th, 2022 by Caoimhghin Ó Croidheáin
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Woodstock ’99: Feeling the Heat
August 29th, 2022 by Caoimhghin Ó Croidheáin
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America’s 1940s Pro-Soviet films: Social Realist Cinema in the USA
July 26th, 2022 by Caoimhghin Ó Croidheáin
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The Bellyfeel of Paradise: Inside the Media Dome
April 21st, 2022 by Caoimhghin Ó Croidheáin
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Not so Black and White: Belfast in the 1960s
Review of Kenneth Brannagh's film Belfast (2021)
April 5th, 2022 by Caoimhghin Ó Croidheáin
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The Re-Humanisation of Culture: Dickens and the Social Realist Cinema of the 1930s and 1940s
February 9th, 2022 by Caoimhghin Ó Croidheáin
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Violence and the State
Examining Two Recent Irish Films: Arracht (2019) and Herself (2020)
December 23rd, 2021 by Caoimhghin Ó Croidheáin
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No Time To Think: The Changing Geopolitics of International Blockbusters?
Review of James Bond No Time To Die film
October 27th, 2021 by Caoimhghin Ó Croidheáin
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Awakening: Martin Luther King and the Poor People’s Campaign
October 8th, 2021 by Caoimhghin Ó Croidheáin
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The Great Fear: The Accelerating Apocalypse
Review of the film Greenland (2020)
August 24th, 2021 by Caoimhghin Ó Croidheáin
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Going to Hell and Back: Fighting Our Worst Nightmare
Review of the film Bullets of Justice (2019)
July 23rd, 2021 by Caoimhghin Ó Croidheáin
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The Power of Romanticism today: 21st Century Irrationalism
May 19th, 2021 by Caoimhghin Ó Croidheáin
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A Successful Combination of Inspiration and Perspiration
Review of the 1954 movie Salt of the Earth
May 6th, 2021 by Caoimhghin Ó Croidheáin
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Your Honor: Justice in a time of collapse
Review of TV Mini Series, Your Honor
April 28th, 2021 by Caoimhghin Ó Croidheáin
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Kalashnikov: the amateur inventor who shot to global fame
A review of the 2020 film AK-47: Kalashnikov
April 21st, 2021 by Caoimhghin Ó Croidheáin
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Shrinking Ireland: Global Warning in Local Communities
February 9th, 2021 by Caoimhghin Ó Croidheáin
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The Culture of Slavery v the Culture of Resistance
February 1st, 2021 by Caoimhghin Ó Croidheáin
