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In
recent years I have written articles with titles like “Dark Clouds Over
America” and “Torture
Memories.” Our nation’s war-making and other threatening behavior have
disturbed me. My study of Peak Oil and Climate Change has convinced me
that we are in for a dark time as we run low on fossil fuels and over-heat
this special planet. At first, I found this depressing. I have come to
see that the loss of cheap energy can also be a great opportunity,
depending on how we respond.
In addition to our
external responses of doing things such as conserving energy and being
more efficient, making a transition to renewable energy sources, and
relocalizing, there is much that we can do mentally to prepare for
post-carbon societies.
One opportunity is to re-consider the role of darkness and down times as
part of a natural cycle. Everything that lives perishes -- individuals,
relationships, nations, empires, species, even planets. Other living
things combine from what remains of the departed to replace them. It’s a
natural cycle. I see it everyday on my organic Kokopelli Farm in Sonoma
County. My lively compost piles are full of spent plants, chicken manure,
kitchen scraps, and a wide variety of once-alive but now-decaying organic
matter. That compost nourishes my berries, apples, and other fruit and
plants, giving them life.
Endarkenment is an essential, often-maligned aspect of that cycle, which
frightens some. What goes into my compost pile has many colors, including
green, yellow, red, and even purple. What comes out is darker -- brown or
black. I regularly bring in manure as fertilizer to feed my
soil. “Shoveling shit,” as farmers call it, has been a pleasure. This
“brown gold” will bring forth tasty fruit. Darkness can be fruitful, in
various forms, which some people shy away from.
I write in praise of certain kinds of darkness, which the Welsh-American
David Whyte describes in his poem “Sweet Darkness.” Darkness can be many
things, including a passageway from one thing to another. Whyte’s poem
enabled me to see more deeply into the possibilities of sweetness in a
time of darkness -- literal, seasonal, political, and figurative. I do not
mean to deny that evil forms of darkness also exist.
“The night will give you a horizon/ further than you can see,” Whyte’s
poem assured me, providing me something to look forward to. A full moon
was scheduled for that night, so I went to check it out. Indeed, there
was much to see with the benefit of that diffuse, less-focused light. I
felt a larger context within which we humans dwell. In addition to the
guidance of our daylight logic, we could benefit from the insight of
night-time’s more diffuse lunar light within its ample darkness.
This essay began as I prepared to make my way back to visit Northern New
Mexico during the darkest month of the year. I used to hang out there
with a Chicana curandera (folk healer) who glowed in the dark. I
have unfinished business in New Mexico, as well as in old Mexico and Chile
-- darknesses that I left behind, rather than integrated. I’m on a soul
retrieval. Integrating one’s own darknesses and those that have come
toward one is essential para vida (for true life).
Industrial societies tend to light up the night with headlights,
streetlights, houselights and many other lights, rather than relish the
dark’s unique gifts. In contrast to contemporary Western attempts to
ignore and deny the dark with its abundant refreshing qualities,
indigenous people and some religious traditions tend to embrace it.
In Semitic languages and early Christianity “black” and “wise” were
associated. St. John of the Cross wrote about the “Dark Night of the
Soul,” a journey which was difficult but ultimately restorative. When one
is called to el mundo subterraneo (the underworld) or is dragged
there by a dark force, he or she may return with rich stories to tell.
But in the United States today, darkness has taken on a negative, even
racist tone. “Dark” is even used to label that which is allegedly
inferior. Malevolent forms of darkness do indeed exist. But my concern in
this essay is with benevolent, or sweet, darkness.
Whyte’s poem stimulated me to seek more poems about darkness. “Night
cancels the business of day,” the Persian poet Rumi declared back in the
thirteenth century. “Be refreshed in the darkness,” he added. "Midway
along the journey of life, I woke to find myself in a dark wood.” Dante
begins “The Divine Comedy,” which many consider the greatest European poem
ever written.
“You darkness, that I come from and love so much,” Rilke wrote, once again
describing that wider context within which we live. Scientists describe
it as dark matter and dark energy, which is still mysterious to them, such
as how gravity works and holds us on the orbiting Earth. “If I reached my
hands down, near the earth,/ I could take handfuls of darkness!/ A
darkness was always there, which we never noticed,” Minnesota poet Robert
Bly writes.
Kentucky farmer/poet Wendell Berry encourages us to “know that the dark,
too,/ blooms and sings,/and is traveled by dark feet and dark wings.”
Theodore Roethke adds, “In a dark time, the eye begins to see,/ I meet my
shadow in the deepening shade.” He reminds us that we carry our personal
darkness, our shadow, with us all the time, casting it behind as we walk,
usually unaware.
Boston poet May
Sarton celebrates the dark Indian goddess Kali and reminds us that
“without darkness/ Nothing comes to birth.”
Maybe this darkness is not as bad as I originally thought that cold, wet
morning when Whyte’s poem arrived and lead me into myself and to other
poems.
“Nothing makes the light, the wonder, the treasure stand out as well as
darkness,” writes Jungian analyst Clarissa Pinkola Estes in her book
Women Who Run With the Wolves. She describes “night-consciousness,”
noting, “Things are different at night… Night is when we are closer to
ourselves, closer to essential ideas and feelings that do not register so
much during the day.”
In darkness we can dream, revealing parts of ourselves that are otherwise
hidden. “We need to dream the dark as process, and dream the dark as
change, to create the dark in a new image. Because the dark creates us,”
social activist Starhawk writes in her book Dreaming the Dark. Starhawk
later adds, “How do we find the dark within and transform it, own it as
our own power? How do we dream it into a new image, dream it into actions
that will change the world into a place where no more horror stories
happen, where there are no more victims?”
Sometimes I conceive of the Dark as a dance partner; it feels more
feminine than masculine. I do not try to lead, but rather to follow.
Weaving the multiple benefits of darkness into my life (and avoiding its
pitfalls) seems to be my main Winter task here at the end of 2006, as 2007
approaches. In the darkness one can rest and be renewed. Spring may come
again, with a different set of abundant gifts.
Shepherd Bliss is a retired college
teacher who now farms in Sonoma County, CA. He has contributed to 19
books, most recently to Veterans of War, Veterans of Peace,” edited
by Maxine Hong Kingston (www.vowvop.org
). He can be reached at: sb3@pon.net.
Other Articles by Shepherd Bliss
*
After the
Post-Election Celebrations: Examining the Decline of the American Empire
* Torture
Memories
* Bioneers
Sparks Defensive New York Times Reaction
* Peak Oil
Discomforts: Losing Hot Water, Computer, Car, Electricity . . .
* Wal-Mart
Workers Fight Back
* Wal-Mart
Under Attack
* “The Mother
We All Long For”: On Cindy Sheehan’s New Book
* Wall Street
Journal Advice on Global Warming: A Perspective from the Island of Hawai’i
* Time
Magazine Finally Covers Peak Oil
* Water and
Wind as Dance Partners and the Warming Globe
* Chevron,
Peak Oil, and China
* Volcanoes,
Oil, and Prophets
*
Celebrating the Holidays During our Dark Age
* Michael
Moore’s Flaming Thunderbolt
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