‘A good death’, a phrase I hear more and more,
on Newsnight, yes, and on Radio Four.
I can’t quite get it, though I am trying;
it’s all to do with ‘assisted dying’.
It’s the term ‘good death’ I find perturbing;
it is unsettling, somewhat disturbing.
Living a ‘good life’; well, I understand this,
if, at doing so, I’ve been rather remiss.
But a ‘good death’? Really, I suppose
we’d all appreciate one of those.
I think I grasp the issues involved,
though they still all remain unresolved.
I understand it is not black and white,
that no-one is wrong, and no-one is right.
I’ve wrestled with all of the ‘ins and outs’
efforts to assuage the lingering doubts.
It’s a minefield, of course; it is true;
a no-go zone, the last, great taboo.
The term ‘good death’ is hard to define,
the end of our life, the end of time.
It’s better not to dwell on it, I guess;
it makes for more bewilderment, not less.
I am still conflicted, still confused,
It’s so convoluted I’m bemused.
Why does it bother me? I know it’s absurd.
But, really, it is just the sound of the words.
For in what way, exactly, can death be good?
If not a move to a better neighbourhood.
Stuart McFarlane has spent many years, both abroad and in the UK, teaching English. In the UK this mainly involved teaching Esol to refugees and asylum seekers. He is now semi-retired and so can devote more time to writing poetry. He has had poems published in local magazines and online publications such as 'Borderless Journal', based in Malaysia and 'Culture Matters' and 'The Recusant', based in the UK.
Read other articles by Stuart.
This article was posted on Sunday, December 1st, 2024 at 8:00am and is filed under Poetry.