Rebuilding the Black Woman

Guardians of Our Souls

Kara Walker’s sculpture, “A Subtlety,” is a launch point. It is an image that has provided the impetus for an exploration of our subconscious mind’s primary motif – an artistic requiem of glory lost.

subtlety

This article will begin to scratch the surface regarding the significance of the image of the Black Woman. It is a reflection upon the restoration of the Black-woman archetype and her/its importance to humanity.

Kara Walker

Kara Walker

One look upon Kara Walker’s work opens up the vastness of a million portals–portals leading to truths of both past and present. In this larger-than-life sculpture, Kara depicts a modern rendition of a Sphinx like figure. We have the likeness of a woman crafted out of all white sugar. The woman has a “mammy” resemblance to her that is accentuated by the adornment of her crown with a scarf–something you may be used to seeing atop the head of Harriet Tubman. Her bust is large and exposed as if she were offering her bosom for suckling to any onlooker. In place of an animal body the figure maintains its womanly-curvaceous physique. All capped off by a vagina exposed from the rear view of the sculpture. Depending on the frame of reference of the viewer, we have a hyper-sexualized image of a woman. All the while the woman has a smirk on her face. Almost like she is taunting the observer to explore the depths that she has to offer. As if to say you can scratch the surface but you have the slightest idea how deep it can get.

sphynxWe can juxtapose this image to that of the actual Sphinx. The image of a regal guardian spirit that stands poised in protecting her city– from a spiritual stand point and an authoritative stand point– a guardian queen if you will.

The two images considered side-by-side depict how far the Black Woman has been exiled from her throne and also the moral degradation that has gone hand in hand with this vanquishing of her archetype.

The archetype of the Black Woman has a universally visceral response to all that experience it. Her presence is never subtle. It is encompassing and this is evident on both a conscious and subconscious level. The vibrations that her spirit gives off is undeniable and often commands respect in one fashion or another.

She has fallen from the Creator-of-Man era…

To the Queen – the Ruler-of-Man era…

To the Mammy the Caretaker-of-Man era…

To the hyper-sexualized – the Whore-of-Man era.

And along with her fall from grace has come the destruction of societal morality and spirituality. Yet her fall has not been of a natural order. It has been carried out in a systematic manner by the would be ruler of the present era. Her ruling archetype type has been assaulted and bombarded by her rival and polar opposite that of the White Male. A patriarchal dominated society who’s morality encompasses all but not limited to: greed, avarice, licentiousness, wanton, gluttony, selfishness, and anything else that appeals to one’s flesh induced desires.

This patriarchal archetype whether it be consciously or subconsciously is perpetually attempting to strip the Black female archetype of all power and authority. Yet as the “Subtlety” has proven… You can change her image but she will never leave her post…

As per popular culture the image of the Black woman is both imitated and mocked. There is a relentless assault upon the motif of the Black Woman. She is often both ridiculed and mimicked–creating a paradox of a unique kind. On the one level she is mocked but on a deeper level she can’t help but to be imitated as she is the purveyor of all civilization.

There is attempt to bring about a new way among the people of this planet. The key to providing the perfect segue into this way of being is the removal of our humanity. And the cornerstone of our humanity is the Black woman. There is an attempt to usher in a new era. One in which man is devoid of spirituality… Devoid of uniqueness. Devoid of his bond with the universe, supplanting himself as above or without integration into nature. Almost as though we were transfiguring ourselves into machines.

Our humanity is what is at stake. There is a war going on that no man is safe from. And if we don’t protect our guardians on the most basic of levels. How do we expect them to protect us on the most critical of level–that which can not be seen and is ever changing? How long can they stand guard if they lack sense of Self? And we lack sense of perspective?

Christopher Agnes Jr. who goes by the pseudonym Jack E. Mohr is from San Diego, California. He studied at Morehouse College and graduated with a degree in Business Administration. There, he cultivated his affinity for writing and introspection. He has worked as a flower salesman, checkpoint passenger assistant at Lindbergh Field, military museum curator assistant, semi-professional basketball player among many other things. When he is not writing, he can be found at a local gym. Read other articles by Jack, or visit Jack's website.