The Eleventh International Latino Film Festival for the San Francisco Bay Area, running through November 18th, has a few clunkers mixed in with not-to-be-missed beauties. In the latter category, under the cinematic umbrella of Largometrajes Documentales (Feature Documentaries), you’ll find:
1. Hijos de la guerra (Children of the War), graphic and fast-paced, focuses on the Mara Salvatrucha (MS-13), the largest (100,000+ worldwide) and most violent street gang on earth. Drug smuggling, black market gun sales, human trafficking, assassinations for hire and much more that’ll turn your stomach is their soup du jour. Lessons abound, including what can be gleaned from the fact that the MS-13 continues to grow in spite of the U.S. deporting, incarcerating and killing gang members…spending tons of $$$ in the process. El Salvador’s Alexandre Fuchs documents the horror of the life of refugees from that country who fled in the 80s to Los Angeles. One wonders if Ron Paul would have given glowing tributes to Ronald Reagan if he had seen this film.
2. Spain’s Invisibles enables Academy Award winning Javier Bardem (featured in a new Coen Brothers film, btw) and Doctors Without Borders to assemble the work of five of the world’s top filmmakers, showing the victims of political unrest, poverty, and corporate greed. If you’re a Wim Wenders or (Goya winner) Isabel Coixet fan, don’t miss this. Coixet told me in Barcelona recently that this was his favorite work thus far.
3. Tocar y luchar (To Play and To Fight) gives you something exhilaratingly fresh out of Venezuela. A work of last year by director Alberto Alvero, this film features interviews with some of the world’s most celebrated musicians while focusing on the captivating story of the hundreds of youth orchestras formed within Venezuela’s towns and villages. The program description says it “is an inspirational story of courage, determination, and ambition, showing us that only those who dare to dream can achieve the impossible.” It is more than that. It provides another positive notch in Chavez’ belt.
4. De nina de madre (Girls to Mothers) shows why the maternal mortality rate in Nicaragua is 90 per 100,000 (while the maternal mortality rate is 25 per 100,000 live births in developed countries). Belgian filmmaker Florence Jaugey won some impressive awards with this feature last year, and the interviews with mothers as young as thirteen (and their loved ones) will show you why. They’ll also give you another reason to grimace when someone mentions the Pope’s policies for that immiserated part of the world.
In addition, filmgoers who are interested in the positive side of those who wear masked wrestling costumes in Mexico should see Arturo Perez Torres’ Super Amigos. And those interested in Mexico (and/or animation) should consider viewing Y tu cuanto cuestas? (So, What’s Your Price?).