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Tractatus
Ridiculous (Philosophy For a New World Order)
by
Adam Engel
Dissident
Voice
October 27, 2003
1.0
Since Consumer Culture has sucked the marrow of every conceivable pleasure,
from eating to fucking to watching the sunrise (without Claritin, thank you),
there’s nothing left to do but -– smile. Smile though you’re heart is breaking;
smile while you’re masturbating, or filling out that questionnaire (though
you’d rather be writing poetry and you know it); smile everywhere and always,
alone, but especially in public. Smile, smile, smile that shit-eating grin you
see in the commercials and magazines and talk-shows. Smile right back at ‘em
when you’re waiting in toxic traffic or riding their dirty trains or walking
down their numbing neon streets. Smile until they start to wonder what you’re
up to.
1.0
Trust nobody who believes in anything but nothing.
1.1
Believers can be bamboozled, dumbfounded, snookered, had.
1.2
Those who believe in nothing often do
believe in money.
1.0 I celebrate myself and sell myself. What I
believe you too shall believe – or I will kill you and enslave your children.
1.1 Sorry. That’s just the way it goes.
2.0 Modern American “Literature” is worse than
irrelevant, it’s boring.
2.1
Be a bug, like Samza. Annoying wrench
in the works.
2.2
Wake the easy reader from her snooze.
1.0 The generation that rose from the ashes of
Lennon’s first cigarette didn’t rise high enough, or at least didn’t go
anywhere special after their own youth burned out suddenly and unexpectedly
they morphed into Clintons and Gores.
2.0 The burning Bush is god? or talks to god?
or burns and burns and burns for no reason at all?
1.0 Fighting is all that’s left worth fighting
for.
1.1
A pie in the sky is hard to eat.
1.2
Occasionally, somebody is right about something; but EVERYONE is ALWAYS wrong
about EVERYTHING.
2.0 They took the words out of our mouths,
lifted our wallets and built The Law into an edifice of cruelty. We have no choice
but to resist – or write our local representatives.
3.0 Fear is terrifying; hence, we must wage war on terror to rid
ourselves of fear.
3.1
War is terrifying.
3.2 Bummer.
4.0
The Pen is mightier than the sword or
gun.
4.1
But only if you can use that pen to
sign fat checks.
4.1.1
Generally, nobody gives a damn what you
write unless you’re heavily, heavily armed.
5.0
A person with a college degree and no
integrity has two places to go in this society: The Cubicle, or The Classroom.
5.1
A person with a college degree and
integrity also has two places to go: The Hospital or The Cemetery.
5.2
And the rest? The Street, The Military, Jail or…College.
1.0 Suppose -- it’s difficult -- but suppose we
were to become men and women rather than the little boys and girls the
plutocratic pedophilic Pharaohs have been shtupping from Day One. What would
life be like? Would we still worry more
about cholesterol and tooth decay than global warming? Would Real Men still wear ties and dread the
possibility of gay genes swishing furtively throughout their DNA? Would women still be too fat or too thin or
too something (hairy, maybe?) to be forty without surgery or Photoshop?
Art
is journalism. Dispatches from other zones.
That’s why it is impossible for us, why there are no great artists –
here, now. No one is willing or able to leave this place. Or they think,
mistakenly, that they can find another planet here. True, one doesn’t have to
travel very far physically – Jane Austen in her parlor, Dickinson and Kafka in
their fathers’ houses; Keats and Marvell in their gardens; Faulkner in his
‘postage stamp’ of a town – but mentally you’ve got to take great leaps, light
years from where you are, where you’ve always been. Physical travel can’t hurt. Henry Miller in Paris (note, not the
“Moveable Feast” of Hemingway, but Paris after the crack-up, the Paris less
than a decade from Nazi occupation). Gaugin in Tahiti. The Beatles in acidy
Indo-Edwardian Pepperland (“Let me take you down…”), and after that, in solemn,
sober White (“Half of what I say is meaningless…”). Even Pynchon, Burroughs,
and Delillo traveling through previously uncharted zones of techno-freak
Americana. But now. But now. Nobody
goes anywhere. Or if they are going, they’re not reporting back. Perhaps they find
only dead lands, cold moons, rocks.
There must be life out there, still, life in the universe to be seen and
touched, experienced, even if such life is mad life, or drives you mad, or
mute. That is, even if it can’t be put in words and pictures or otherwise
expressed, it must still be out there to be known (And I’m not talking about “The Corrections” for gods sake who
has TIME for that shit?).
Hero
stood six feet tall, which is just the right height for a protagonist, don’t
you think? A body of pure earth and
feet of clay. He worked at the
recycling plant, smashing bottles against a wall. He liked his job. He listened to music while he worked. One day
it all seemed so pointless.
After
his breakdown Hero read novels in bed. Words marched lock-step in orderly,
narrative formation. Which was too bad. The words should have dispersed. Someone should have set them free.
He
visited the cemetery for peace and meditative silence, but stumbled
accidentally into the life of Rose Vestinger, 1920-1995. A day at the beach when Rose was thirty and
tending her husband and two small sons. A clear, warm beautiful afternoon. Small talk. Sun tan lotion. Salty
breezes. A day in this stranger’s life
revealed nothing to Hero, who was still recovering from his nervous
breakdown.
Bored,
he turned to the computer. World Wide Web. Information Highway. Myriad connections. Big mistake. Flashing whirligigs, mob-ocracy, Flash and JavaScript
commercials. The damn thing wouldn’t shut up
Morris,
the Adjunct Professor, came bearing gifts: tobacco, alcohol and country
music. They smoked and drank and
listened to the music of the country. Hank Williams yodeled sadly; Bob Wills
quipped as Tommy Duncan crooned.
Leadbelly wailed the Truth, but neither man could understand a word.
“What’s
the matter, Hero? Depressed?”
“Nothing,”
said Hero. “Nothing.”
“’Nothing.’
Holy shit. That’s really something.”
“Nothing
from nothing ain’t nothing.”
“Let’s
go to Odessa’s Diner. Stuffed cabbage.
Herring. Poppy cake. The works.”
“Think
it’ll help?”
“Couldn’t
hurt.”
Thus
spoke Morris.
1.0
You can’t ask life to be anything other
than it is, but you can refuse to be ridiculous.
1.1
I refuse to be ridiculous.
1.2
If everyone refused to be ridiculous, perhaps “Seinfeld” and “Friends” would be
yanked from syndication and off the air forever.
2.0
Maybe we already are ridiculous, which would be too bad.
2.1 Then again, who’s “we?”
2.2 “We” is not me or you, but everything
other than you and me.
2.3 “We” is ridiculous.
2.4 Sez I.
Adam
Engel is an imminent philosopher living in New York. He can
be reached at Bartleby.samsa@verizon.net.
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