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by
Mickey Z.
September
25, 2003
I
just learned that Edward W. Said has died. Before reading how the corporate
media will frame his obituary, I'll say this: The world is far more empty place
today.
Almost
a decade ago, I reviewed The Pen and the Sword, a collection of Said
interviews with David Barsamian, published by Common Courage Press. While some
of the references are dated, the message remains as I would state it today.
Below is that review...a meager attempt at saying thank you for the work and
spirit of Edward W. Said, a true inspiration:
Thanks
to popular culture, most Americans are taught to perceive Arabs as fanatical,
yet inept, terrorists. Palestinians, so the conventional thinking goes, may not be the most fanatical but are certainly
the most inept of the Arabs. Another equally voiceless group in this country is
that of political dissidents. In a society where H. Ross Perot is accepted as a
renegade outsider, true dissent is rarely discussed.
So,
what can be said of Edward W. Said, a genuine political dissident who happens
to have been born in Jerusalem when it was still in Palestine? An intellectual
who suffered the pain of being uprooted from his home and forced to leave his
homeland. Where is his voice heard?
Upon
first glance, Said's status as University Professor in the Humanities at
Columbia and his authorship of such books as Orientalism and Culture
and Imperialism may disguise the
depth of his marginalization. It is only after reading this collection of
interviews by Alternative Radio founder David Barsamian that one realizes how
much of Said's vision has been obscured. His contributions to a greater debate
on culture's role in advancing imperialism have been documented (albeit, not widely
enough). Sure, Culture and Imperialism
does point the accusing finger of blame at long-ignored targets like
Albert Camus and Jane Austen, but it is when Said aims his considerable intellect
at issues like Israel's role in the chaos of the Middle East and the tacit
complicity of the American press-and taxpayer-in that role that he provokes the
most thought and emotion. Hence, what David Barsamian brings out through his
insightful questioning in The Pen and The Sword is a glimpse of the
heart behind the mind.
With
almost daily praise heaped upon Israel (and even Arafat) for "ending"
the violence, it is practically cathartic to have Barsamian ask the difficult
questions and hear Edward Said speak to the facts. Despite death threats from
both sides of the battle, despite recently being diagnosed with leukemia,
despite confronting a media that offers less criticism of Israel than Israel's
own newspapers, Said speaks the unspeakable with impunity. When discussing the
well-hyped treaty-signing ceremony, Said sees it in these terms:
"The actual ceremony itself, if one
watched it, and I did, I had been invited but refused to attend because for me
it wasn't an occasion of celebration but an occasion for mourning, it was, I
thought, quite tawdry.
In the first place, there was Clinton,
like a Roman emperor bringing two vassal kings to his imperial court and making
them shake hands in front of him. Then there was the fashion show parade of
star personalities brought in. Then, and most distressing of all, were the
speeches, in which Israeli Prime Minister Rabin gave the Palestinian speech,
full of the anguish, Hamlet's anxiety and uncertainty, the loss, the sacrifice
and so on. In the end I felt sorry for Israel. Arafat's speech was in fact
written by businessmen and was a businessman's speech, with all the flair of a
rental agreement. It was really quite awful. And since he didn't even mention anything
about the sacrifices of the Palestinian people, didn't even mention the
Palestinian people in any serious way, I thought therefore that the occasion
was an extremely sad one. And it seemed to me therefore that his speech, the
occasion, the ceremony, and so on, seemed to be completely in keeping with the
contents of the agreement, which themselves also make the Palestinians
subordinate dependents of the Israelis, who will in fact continue to control
the West Bank and Gaza for the foreseeable future."
For
me, it is equally sad to contemplate a society without the well-reasoned voice
of Edward W. Said. Barsamian asks him of his future and Said's response
resonates of controlled emotion:
"I try not to think about the future
too much. One has to keep going. But in general, I feel much better about
myself and my situation and my health. They're synonymous with each other. I
think the big battle is to try not to make it the center of your every waking
moment; put it aside and press on with the tasks at hand. I've got a lot to say
and write, I feel, and I just want to get on doing that."
Anyone
interested in fostering a more equitable social structure owes it to Edward W.
Said -- and themselves -- to not allow his courageous efforts to be in vain.
Even those who may disagree with his dissertations can benefit from The Pen
and The Sword. It is a book of rare quality and importance.
Mickey Z. is the author
of The Murdering of My Years: Artists and Activists Making Ends Meet (www.murderingofmyyears.com) and
an editor at Wide Angle (www.wideangleny.com). He can be reached at: mzx2@earthlink.net.
Other Recent Articles by Mickey Z.
* "The
Truth Has to be Repeated"
* A
Ceremonial Journey: Bush's Progress
* History
Forgave Churchill, Why Not Blair and Bush?
* Incomprehensible
Reluctance? AIDS Dissent and Africa