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America’s
Dying Arts and Philosophy
Hold
the Cure
by
John Stanton
May
27, 2003
The
wonderfully bizarre and philosophically fertile novel Insatiability, written in
1927 by Stanislaw Ignacy Witkiewicz, describes a society in rancid decay faced
with the external threat of a “Sino-Mongolian” army with some very distinct
Soviet and Nazi characteristics. The armies of conformity are on the border
waiting to attack.
Meanwhile
in Witkiewicz’s society, religion, philosophy, politics, art, literature and
sex have become devoid of transcendent qualities. They serve only to further
the utilitarian interests of racism, nationalism and patriotism. Sex is no
longer surrounded by love; instead, it is merely a means to produce more
workers, more soldiers, more taxpayers. Witkiewicz’s nation is frenetically engaged in an orgy of motion
for motion’s sake which means that it is has extraordinarily high rates of
productivity. The people’s days are full of activity whether it be producing or
manufacturing, reading the newspapers, visiting an art museum, listening to
music, or propagating the human species. The masses, as Witkiewicz describes them,
“all those dukes, counts, farmers, peasants, workers, craftsmen, army…” are vacuous
automatons who had long ago lost the ability to look beyond the given image or
word; that is, to think with depth.
The
dying society that Witkiewicz portrays can only be saved by the artists and the
unblemished spiritualism of religion freed from corporate structure. The writer,
the philosopher, the poet, the painter, the musician, and the religious leader
collectively hold the cure for a culture on its death bed. Why? As they have
throughout recording history, this merry band of refuseniks are constantly exposing
the brutality of reality and are continually challenging institutions and the
propaganda they spew forth. It is their lot in life and their duty to ask the
tough questions. No open society can prosper for long without them. In Witkiewicz’s
world, those with the cure have relinquished their responsibilities. They no
longer refuse-- they join, they are indoctrinated and they conform. Indeed, it
is far easier and more lucrative to praise and promote the established order
than it is to challenge it. Such has been the choice of the Christopher
Hitchens’ of the world. For others though, having taken that road, the sense of
guilt that going-along-to-get-along breeds haunts them. They suffer no matter
what they do.
But
wait!
“A
man who used these Murti-Bing pills changed completely. The problems he had
struggled with until then suddenly appeared to be superficial and unimportant.
Those once tormented by philosophical in satiety now entered the service of the
new society [the new faith]. Instead of writing the dissonant music of former
days, they composed marches and odes. Instead of painting abstractions as
before, they turned out socially useful pictures,” according to Czeslaw Milosz,
in his forward to Insatiability. In the end, hooked on Murti-Bing, Witkiewicz’s
characters have been, in essence, lobotomized.
“Sturfan wrote abominable things—novels without any ‘heroes,’ whose role
was now assumed by groups…Lilian continued to perform in theater…He operated
exclusively with the collective psyche, dispensing entirely with dialogue.
Art
and literary criticism were at last completely abolished.”
Insatiability
has many lessons in it for Americans. As Milosz points out, Witkiewicz was
describing a Western society. One in which the quantity of material produced—be
it philosophy, art, literature, or even politicians—had no relation to quality.
The critics, whether literary or general culture, knew very little about the
subject matter they were assessing. The critics were either employed by
organizations who circumscribed their views to preserve the bottom line, or
they held a particularly snobbish view of the changing world around them.
“Because of a spurious sense of social duty and a desire to instruct petty people
in petty virtues…whatever appears uncomfortable is either glossed over in
silence or else deliberately misconstrued and misinterpreted…What can be
expected of the public if the critics themselves are below the average reader?”
Here
in 21st Century America, Witkiewicz’s novel world has become a tragicomic
reality. Critics take the form homophobic Michael Savage, a savage intellect
whose tirades appeal to millions of predominantly white males who believe that
American history began with George Bush II. Another critic and hustler like
Rush Limbaugh, whose website urges boycotting France and Germany--and encourages
visitors to join The Presidential Prayer Team--speaks volumes to the depth-free
nature of the American intellect. One wonders if the Savage and Limbaugh
audiences know that Baron de Montesquieu was the inspiration for the “checks
and balances” of the US government. Or that the French have greatly influenced
US military doctrine since at least 1776 (not to mention salvaging the American
revolution). The vaunted shock and awe tactics used recently during the War in
Iraq were set in place long ago by Napoleon Bonaparte who revamped the French
army with doctrines that ensured speed, maintaining the offensive,
maneuverability and joint training. That revolution in military affairs took place
over 200 years ago. Immediately after
World War I, the US Army solicited German gun designers recognizing the inferiority
of US designs. Of course, without former Nazi Werner Von Braun, the USA would have
had far greater difficulty getting its machines and warheads into space.
The
US is populated with thousands of Savage’s and Limbaugh’s in corporate board
rooms, the government and military, universities, media outlets, sports and entertainment,
and the world of arts. These are the petty people to whom Witkiewicz refers.
The very ones whose “spurious sense of social duty and petty virtue” has
somehow landed them in positions of power that allows them to comment, or
critique, an entire society and its culture and government. Yet their
commentary is as staged and hollow as George Bush’s comedic Top Gun stunt on
the aircraft carrier Abraham Lincoln. And it’s killing America. But that false
imagery and the language that goes with it finds a paying and voting audience
in the tens of millions—Witkiewicz’s masses--who either truly believe in the
simplistic and erroneous notions of American mythology, or who have
auctioned
off their transcendent souls for the safe havens of profitability and
conformity.
These
vacuous people—senators and congressmen, CEO’s and generals, preachers and
rockers, white collar and blue collar alike--when confronted with the factual record
of George Bush II’s record of being AWOL from the Texas National Guard and his
many business failings, or informed that every political rally held by this
president is a lesson in Hollywood production 101, simply deny that reality and
opt for the fantasy. But Bush is not the problem. It is what he has come to represent.
And that is the antithesis of what US citizens are taught to believe it means
to be American. It takes years of labor to purchase and maintain a home, to
stay on the payroll, to get an education, to believe there is more than crass
profit and loss, to tolerate tax cuts for the rich, to raise a family, to worship
ones god’s, to be honest and trusting.
That
quaint American philosophy of life has been beheaded. Now the “leaders” aren’t
even coy about parsing the truth with the country. It’s in-your-face lying on a
global scale. Full spectrum perception management via the US government,
incorporated, ensures that what was false remains false, but you’ll believe it
to be true, just like you still believe the New York Times. Where else are you
to turn? You are too busy being productive to believe otherwise and, besides,
you don’t have the time to fight the system.
The
modern day Murti-Bing pills--Paxil, Zoloft, Xanax and prime time media—let you
tolerate the madness that is fed to you on a daily basis: Trillions in tax cuts
for
the rich are good. $700 billion for defense and intelligence is good.
Outsourcing 850,000 government jobs is good. Cutting highway funding to the
states is good. Cutting social programs is good. Eliminating pension plans and
social security is good. Don’t criticize, we are at war. America: love it or
leave it. “Mission Accomplished”. Ditching the United Nations and international
treaties is good. It’s not about oil. We don’t need a commission on 911—trust
us. Hussein was a threat to the United States. Your safer now with Tom Ridge in
charge. There is an opposition party. The president’s speeches and rally’s are spontaneous.
Without the US military there would be no freedom. Freedom means the ability to
buy and sell. Media deregulation is good. Guantanamo Bay is not a death camp.
The War on Drugs and the War on Terrorism are successful. The US Department of
Homeland Security does not have former KGB officers as consultants. Missile
defense works.
In
this national psycho ward, you want to do “something” to contribute because
there’s an emptiness you just can’t seem to shake. You want to be a refuseniks.
One day, you say to yourself, I’ll do “something” about it.
“Perhaps
sunlight, the smell of the earth, little everyday pleasures and the
forgetfulness that work brings can ease somewhat the tensions created by this process…But
beneath the activity and bustle of daily life is the constant awareness of an
irrevocable choice to be made. One must either die--physically or spiritually--or
else one must be reborn according to the prescribed method, namely, the taking
of Murti-Bing pills. People in the [USA are often inclined to consider the lot
of converted countries in terms of might and coercion. That is wrong. There is an
internal longing for harmony and happiness that lies deeper than the ordinary
fear of the desire to escape misery or physical destruction.”
The
people of America have difficult decisions ahead. Their economy is awash in a
sea of debt and the unemployed. Its military adventures in Afghanistan and Iraq
are far from complete. It’s corporate boardrooms and halls of government are
indistinguishable. The invisible hand of censorship is everywhere. Million’s
are afraid to speak in fear of the state’s security apparatus. The state has
become god-like in its ability to inculcate fear through constant “terrorist”
alerts.
American’s
can easily choose to be “reborn” and conform to a system which delivers the
goods, as Herbert Marcuse once said. Do they have any art, philosophy or
spirituality in them? What will they do? Stand and fight, or stand and help
deliver the goods. Mr. Witkiewicz’s choice, however, is not recommended. In
1939, recognizing that the Soviet’s and Nazi’s were on the way into Poland, he
committed suicide.
John Stanton is a Virginia
based writer specializing in national security matters. He is the author (along
with Wayne Madsen) of America’s Nightmare: The Presidency of George Bush II
available at www.booksurge.com. Reach
him at cioran123@yahoo.com